After representations television aired on Rai, the cast of fresh air has moved into the square and, more specifically the night of Florence at the Fortezza. We could not be sure because the cast is our dear friend Niki Giustini we got to know in our recent show. In the frame of the Fortress is not the best because it inherits a bit 'pattern already seen in the Day Unit, where you prefer more Spartan stages purpose installations better treated. Leading Gaetano Gennai already songwriter, with Carlo Conti's TV version. I must say that despite the name and pomp seen in the Fresh Air Shed in Versilia unfortunately has lost everything he had at the time to start fresh from a bad Alessandro Paci prisoner already seen that character in Pinocchio and Ohi ohi that crisis, vulgar, and also served with the bad public bystander unhappy with jokes about gays and carrying handicapped. Its three windows and three in the show were the moments of absolute boredom for the former seccurity nights of Viareggio and sincerely hope that in light of what Conti will take into account, also because the art scene offers more. We reviewed Graziano Salvadori a bit awkward with his character at the beginning of Achilles, a bit 'too woody in the bar which was unable to awaken the public, with a colorless sketches. Although the brothers did not act as the enamel of the past, where Giustini merely to shoulder too much of a screaming Salvadori who had targeted a useless Gennai left them on stage with them. Bellino at the beginning of her number the wizard Dumbledore in kilts, already seen on TV, but with surreal magic numbers in remainder of the evening rather appalled by the negative trend of the show. Niki Giustini opens with imitations, short and swift, with beats that tear the most applause for the skill that for the comedy, always amazing in warhorses Montesano, Verdone, Banfi and clone Boldi. Salvadori back doing what he can do with a beautiful monologue about the difficult relationship between father-child-wife, really well-seasoned in all its shades which capture the reality of those difficult times and very real. That's the thanks I remembered, crisp, sharp even in acting, and perhaps ill-used by the authors who preferred the banality of Paci also struck down by a few cheers received. The most genuine and spontaneous laughter with Salvador, Giustini has collected in his monologue of the machine with the simple but effective Prinz found the car to simulate the noise mixing prose telling a normal Sunday in a family beach. Gaetano Gennai theme of this jumble of artists, seemed to take them and put the series I have to be by contract, even he did not believe too much of a product at all costs wanted to brush up offering it to a television in a coma for some time. The Florentine public seems to have understood and was very greedy nell'applaudire a comedy at times vulgar and already seen, with people who have already left the square in the middle of the show, however, also in setting low light. Fresh air and the old have only the logo in black and white hung on the backdrop of a stage, and will not be easy to bring it back to the glories of time.
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