Thursday, February 4, 2010

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Fiorello Show


finally return to write a review for a show. Finally, because I think that while the "show" offers little, if no work involved that lead to little real solace. Fiorello returned arenas and does so with a particular show, leaving behind all the gags and entr'actes that made him famous, but in fact, ultimately made him quite a bit monotonous and boring. Always an admirer of the great showman, for the first time I went to see him live with the curiosity to enjoy a little of everything, both the show, both the technical background. Starting right from the technique itself, the organization could not rely on Agora real professionals, with a fantastic technical equipment icing on the cake with the use of wall-led, real mobile wings which have the merit to reproduce any image. With this technique, Giampiero Solari (director) is is allowed to approach Fiorello dancers, choirs, choreography, leading the audience on stage and even make it in some way. Obviously the LED-wall were divided into two sections, one front and one in back that had the ability to scroll sideways to take literally the center or to approach the other side. Two giant screens side surround the show to appreciate better the terms of the playmaker, especially in the imitation of Tokio Hotel, or as he called them Toki. Live orchestra led by maestro Cremonesi, prepared before the public in a more traditional patterns on floors. In the ring I counted forty Wash moving heads plus those on the ground that served as cuts. Excellent bow Sehnneiser used throughout the show has to sing that to talk about, well equalized to reach even the tiniest building depth from the always annoying reverb hostage.

Start the show closed the curtain on the stage, with few side trip on the public, in a bathrobe with a beautiful brilliant monologue on topical issues, never, never vulgar rhetorical (as of late to the comics). The gag was then continued with the presentation of other components in a bathrobe waiting for the call for the opening of the show. Black pants, white shirt and an unlikely tie, Fiorello passed between old medley of songs that cover type approval to short his career, always trying to smile the viewer, never bored for beats and breaks out of place. Catchphrase of the evening, and could not be otherwise, Carlo Conti and his tan, a parody on the antenna is installed decoder, then go to Tokio Hotel, up to a short stay at the new Bvlgari hotel in Milan. Not many songs, too bad considering the group, with a tribute to Michael Jackson Thriller a little upset (which I did not like) and varied musical career, even remembering Nilla Pizzi version Rock'n Roll.

I must say that on those wall-led I've left my eyes and heart, but also throughout the organization, which has amplified, if ever it were needed, the skill of one of the few artists operating in Italy. A Fiorello I advise you to continue on this path, which perhaps makes it less visible, but gives him the power to fill the indoor stadium and do what is born an artist, being with the fans!

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